Heading off to see Harry Potter 'nu' in London this weekend. So different from our favorite series a la JK.... http://www.gielgud-theatre.com
Disturbingly enough, Peter Shaffer's "Equus" is one of my favorite plays, in fact, it took me little time to find a well worn copy in my library last nite, tucked into the strangely small selection of plays, just a couple dozen..tsk,tsk...must apply insect like determination and engage in enlarging this all too important area....drama.
Drama. always enjoyed best, as Brecht suggested, in the dark, dank democratic round, where one can initially, as i might recommend, read the text, as envisioned by the writer, then enjoy the show with all additional ingredients, then go back and re create as oft as one can stand, in the mind. Must buy ticket, enjoy a weekend avec mio marito and slide back to Pareee in time for fresh flashback....
THE REVIEW....
Well, apparently there’s no trouble with Harry tackling Alan Strang after all.
Harry Potter, known to his mother as Daniel Radcliff, was quite good.
Although, in this disturbing play, "Equus" , might I suggest we saw a bit too much of Harry in the buff?
I'd managed to land the very last two tickets for last Sat nite, two seats located on stage, facing the audience, which proved great viewing as Harry's anger simmered with his back to the audience, facing us, for most of the play....but, because of this angle, we saw more of him in the buff because of aforementioned fact.
TMI.
Too much imagery vs information in this case....actually, a couple of British reviewers apparently got into a handbag hitting match about the size of Harry’s jewels, but that’s another matter and irrelevant to this post.
BTW, size does, doesn't, does, doesn't matter....
Silly digression.
I knew the play would work, for it’s not only one of the best post WW11 plays but it rings true and modern 40 yrs on as one of the play's central themes focus on whether or not the talk/drug cure is effective. After all, who are we to project our sense of what is normal onto another, especially within our cultures, specifically the American and English, respectively. One might conclude that these two social experiments have gone horribly wrong.
Of course, I've just spent 4 hrs working with France Telecom, finally figuring out that they've randomly changed our phone/internet/satellite contract, but we'll let that issue go for now. We still have our internet working so I can continue posting and preparing for next business trip....
Of course, this idea regarding therapy is simply one perspective.
But, I must digress, again, as our choice of sleeping accommodation whilst staying in London proved quite fitting for my nomadic renaissance of a husband had some business in London and I was dying for some more theatre so he suggested we meet there for a weekend at an old friend’s place, actually, one of the directors of AtlasTG.
Mind you, Paris is perfect for music, but not for the type of theatre I need. I wanted the English variety, full of repression, depression, lending beautifully to the classic quote that their bonnie prince charles is wont to hijack...."it shall all end in tears.."
The English are still the best at at drama, as far as I'm concerned.
Anyhow, the place we stayed for the weekend was one of England's most interesting insane asylums, located in the village of Virginia Water. Renovated, certo, but still had the history. This looney bin was for the very rich, so the setting is luxuriously country, and the main dining hall, so ornate with marble and wood inlay, colorful, almost Tuscan now housed a swimming pool, certainly one of the most gorgeous in the land.
Our friend had bought a section of the renovated asylum and we enjoyed a most interesting collection of all things Chinese, Asian, and otherwise. The otherwise being lots of rifles, artillery, spears and such, quite English and Zulu, all colliding as they have, but specifically for the modern viewer, in his home. The arms, simultaneously, spanning centuries and continents, in painting, on display, on walls, stairways, just about every room that didn't pay homage to the Chinese, Buddha and meditation.
And, I think he's donated a tank or two to his children's school...his home is sorta like Buddha meats War, quite the collection.
As I mentioned, the loony bin setting, no matter how transformed and elegant was most appropriate as I was in the UK to see a play about a supposedly very crazy kid that blinded 6 horses. Or rather, this was the gossip exchanged at dinner parties, in London some 4 decades ago.
"Equus" is a passion play, one that suggests we sane types have managed away our passions until we are lifeless, robotic creatures, droning through our individual lives daily, drearily, albeit oh so safely and sanely, indeed. What's your rationale for prosaic consumption in the States and London?
Actually, the Parisians take it like aspirin as well, but they're naturally somewhat bitchy and anal, two facts that make me luv them more, so they need it.
But again, I ask. What's our excuse?
I dunno. Talk therapy, by today’s standards simply appears to enable the patient to blame another. Do you really know of anyone that appears to be functioning that much better? To me, at least, they simply seem able to explain away their demons and addictions better than non patients, and it enables them to suggest confidently "I've done a lot of work on that.."
Scary side effect of Prosaic? It makes the pill poppers even more assured of their insecurities..
Sigh.
In fact, let’s take a little travail back to David Letterman, circa the time our beloved Woody Allen deemed it necessarily to make the only choice he could make in the love category. He had to sleep with his adopted daughter Soon Yi, for she was the one, the only one for Woody. Well, it’s a choice, I suppose. But I love how David presented the bizarre news of the day in his monologue.
“So, we hear today that Woody’s going to settle down with his daughter. OK, he’s been going to see the same psychiatrist for the past 25 yrs, twice a week, right? Well, I got two words for his therapist.
Nice Job”
Of course, I paraphrase. And more importantly, I should be more careful or this blog is going to stray onto territory like incest and quasi incest and quite frankly, neither hold much appeal, for interest or discussion.
So back to the play. It worked, on every level.
Peter Shaffer's play hit a nerve with me. The set design was fantastic, illusory as it must be, the horses heads and hooves, v.v. dramatic and sensual, all strappy leather and steel, the acting fine enough although it must be said I experienced a first at that production. Plays have been a passion for most of my life. My family subscribed to 2 major theatre houses in Seattle and even 3 at one point. We saw a lot of theatre, and I sat on the board for a small fringe group that provided consistently fantastic theatre, something Seattle is renowned for, thanks to Daniel Sullivan, yet another uber idol of mine.
I've seen Edward Albee's Three sisters on both sides of the Atlantic as well as Glengarry Glenross, I've seen Nicole Kidman nude in NewYork, ex-cetera, ex-cetera, ex-cetera as Yule Brenner and my french teacher are wont to say...
But what i have never witnessed on stage is an understudy having to read the lines from the book, especially in the West End. Well, I had a little bitchfest w/a galpal from London last nite and she suggested that maybe both the main actor and the understudy were sick as most nasty flu is afoot.
Well, it was delightfully didactic, Brechtian in minimal setting as well, but reading the lines....no matter, it worked, proved its timelessness, proved how religion can completely mess you up, especially in fanatical form and then maybe, just maybe , passion, when beneficial, albeit slightly too too, is not too too bad.
In fact, my passion for theatre has just been rekindled. This, not so much a review, but rather a loving nod to the finest of arts...
I'm heading back to see Jessica Lang in Tennessee William's The Glass Menagerie and my favorite ex beau in Harold Pinter's Old Times in the near future....